No, it wasn't a Rolling Stones concert, it was the first day
of the annual Toronto International Jazz Festival, and the performances were by
one of the original founders of Motown, Smokey Robinson, and the Queen of
Motown, Martha Reeves and her sisters, together known as Martha and the
Vandellas.
Martha and the Vandellas opened the show, with some stories
of days gone past, timeless songs from the 60’s, 70’s and 80’s, and as
mentioned in the opening of this piece – high energy.
High energy is surprisingly enjoyable – Martha Reeves turns
72 next month – yet she moved around stage as if she were still in her youth
when she began her singing career in 1967.
She acknowledged her age, joking after singing her
International smash “Heatwave” that now she’s thinking of renaming it “Heat
Flash,” and she admitted during one of her numerous yet enjoyable stories about
Mowtown and her singing career, that she was taking a breather.
As any great performer always does, Martha and the Vandellas
left the audience wanting more. Everyone was standing and singing throughout
her act, and kept standing and singing long after she had left the stage.
Smokey Robinson also in his seventies had amazing energy at
an age when most are slowing down. He too told long wonderful stories about the
early days of Motown, even joking about how fellow singing legend Stevie Wonder
offered to drive him home from a Motown Christmas party, so they could work on
a new song together.
“I can’t stand his driving,” he joked of the blind Stevie Wonder.
“Steve – I call him Steve, drives way too fast – too fast!”
Both Smokey Robinson and Martha Reeves and her sisters
proved something else about age, and the music industry.
They can still belt out those tunes.
Much of both musicians work is based on natural vocals,
holding high notes and singing in harmony with the music.
Most of the current crop of famous singers rely on computer
generated auto tune, or simply rhyming spoken – not singing – talk to the
music.
Sadly, as our world becomes ever more digital, and real
talent is replaced with cuteness and sex appeal, we won’t see the likes of
artists like the legendary Motown singers again.
And that speaks volumes to those old enough to know what
real music is means to the future of the art, and probably explains why the
music industry is now just starting to recover from a major financial slump
with disappointing sales over the past decade.
Most blame the ease of downloading music online freely, instead
of paying for it.
And that’s part of the problem.
The real problem with the music industry is they prefer the
quick sell. Find some kid that is cute, or can sell “sex” – write them
something they barely rap or talk too, to cover their lack of singing ability,
and promote the hell out of them.
After they’ve made millions on their one, two or three hits,
drop ‘em and move onto the next wonder kid, until that talentless hack also
dries up as a money maker.
We’re very lucky to still have Smokey Robinson, Martha
Reeves and her Vandella sisters, Mic and the boys from the Rolling Stones, and
seniors able to strut their stuff on stage with amazing vigour and energy,
because today’s music isn’t music.
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